survey_07 — contemporary architects: ten practices
1. Wang Shu — 王澍 (b. 1963, Urumqi; studio Amateur Architecture Studio (Hangzhou))
Architecture made of recycled material and local tradition: broken tiles, brick, bamboo. He builds so that the building reads as a continuation of the hill rather than as an object.
Ningbo Historic Museum(2008) — a facade of tiles salvaged during demolition: the wall as the archaeology of the city.
Xiangshan Campus of the China Academy of Art (Hangzhou) — buildings set into the terrain, with openings that read as "palette windows".
Winner of the 2012 Pritzker Prize — the first Chinese architect to receive it; together with Lu Wenyu he runs the studio and teaches at the China Academy of Art (CAA, Hangzhou).
He works with the notion of 营造 (building as craft): new buildings are assembled by local crews using old techniques.
He received his first degree in architecture from the Nanjing Institute of Technology in 1985 and his master's there in 1988; with his wife Lu Wenyu he founded Amateur Architecture Studio in Hangzhou in 1997.
Ningbo Historic Museum, 2008 — a facade of brick salvaged from demolitionArchDaily“瓦园” / Tiled Garden, Venice Biennale, 2006 — an installation by the studioArchDailyTeahouse and exhibition hall on Tianluoshan, Dongqian Lake, Ningbo — the gallerygoooodTeahouse and exhibition hall on Tianluoshan — blocks linked by walkwaysgoooodTeahouse and exhibition hall on Tianluoshan — blocks set into the terraingooood
2. Ma Yansong — 马岩松 (b. 1975, Beijing; MAD Architects)
Fluid, "organic" architecture: landscape-buildings with flowing lines, where form matters more than module. One of the first Chinese architects to enter the Western canon without compromising on style.
Harbin Opera House (2015) — a snow-like relief with glass "gorges": the building reads as a frozen river.
Absolute Towers (Mississauga, Canada) — two towers whose floor plans twist around the axis.
Chaoyang Park Plaza (Beijing) and the UNIC residential complex (Paris) — the line of the "landscape city".
Founder of MAD Architects (2004, Beijing); he has exhibited at the Louvre and at the Venice Biennale, and teaches in Beijing.
Born in 1975 in Beijing; he graduated from Beijing University of Civil Engineering and Architecture, took his master's at Yale, worked for Zaha Hadid, and in 2004 founded MAD Architects.
Shenzhen Bay Culture Square, Shenzhen, 2026ArchDailyLucas Museum of Narrative Art, Los AngelesArchDailyChaoyang Park Plaza, Beijing — project, 2014 (rendering)goooodChaoyang Park Plaza, Beijing — the complex’s atriumgoooodChaoyang Park Plaza, Beijing — the “city as shanshui” conceptgoooodChaoyang Park Plaza, Beijing — the glass volumesgooood
Graduate: Nanjing Institute of Technology (now Southeast University), 1981
Minimalist, "engineering" architecture: simple volumes, measured proportions, an interest in how a thing is put together. One of the first Chinese architects to work in the West and return to China.
Split House (Beijing, 2002) — a house cut along its axis so that the courtyard becomes part of the house.
China Pavilion at the Venice Biennale (2000) — the exhibition "Five Houses", on private housing.
Head of the MIT Department of Architecture (2005–2010), professor at Tongji; Atelier FCJZ (Beijing, since 1993).
His line is "architecture as writing": small exhibition structures and theoretical projects matter more to him than large volumes.
He studied architecture at the Nanjing Institute of Technology and at Ball State University (USA), and received his master's degree from the University of California, Berkeley in 1984.
砼器 / Concrete Vessel, Atelier FCJZ — China House Vision, photographed at nightArchDailyJishou Art Museum — a bridge-gallery over the riverArchDaily
4. Liu Jiakun — 刘家琨 (b. 1956, Chengdu; Jiakun Architects)
Architecture of the everyday and of cheap material: reused brick, concrete, local techniques. He works in Chengdu, where the 2008 earthquake set the scale of social tasks.
West Village / Basis Yard (Chengdu) — a complex assembled around courtyards and existing trees.
Luyeyuan Sculpture Museum and memorial projects after the earthquake — an architecture of memory and recovery.
2025 Pritzker Prize.
His principle is "low technology, high logic": a building should be built by those nearby, out of what is at hand.
In 1982 he received a bachelor's degree in architectural engineering from the Chongqing Institute of Architecture and Engineering (now Chongqing University); he founded Jiakun Architects in Chengdu in 1999.
West Village (西村大院), Chengdu — a roof terrace of stone slabsDivisareWest Village, Chengdu — the elevated gallery-“street”DivisareWest Village, Chengdu — the accessible roof and the “sky bridge”DivisareWest Village, Chengdu — the light-well courtyard in the eveningDivisareWest Village, Chengdu — a lobby with a coffered ceilingDivisare
5. Dong Gong — 董功 (b. 1972; Vector Architects (Beijing))
Graduate: Tsinghua University (BA and MA in architecture); then University of Illinois at Urbana-Champaign
Quiet, contemplative architecture: small structures by the sea and in the mountains, where material and light define the experience. He works with the distance between a person and the landscape.
Seashore Library (Qinhuangdao) — a concrete room with a window spanning the whole wall, opening onto the water.
Captain's House — a house-cum-observation post on a cliff.
Kaiyuan and other small structures — the line of an "architecture of observation": a room as an instrument of seeing.
Founder of Vector Architects (2008); before that he worked in the USA; he teaches and publishes in ArchDaily and gooood.
Bachelor's and master's in architecture from Tsinghua University, then a master's at the University of Illinois (USA); in 2008, while working in the USA, he founded Vector Architects.
Captain’s House — retained masonry and a concrete superstructuregoooodCaptain’s House — a vaulted roof with slotsgoooodSeashore Library, Nandaihe — the entrance in the dunegoooodSeashore Library — a concrete block on the tide linegoooodSeashore Library — a “viewfinder” opening onto the seagoooodSeashore Library — interior, the imprint of formwork boardsgoooodSeashore Library at dusk — porthole windowsgooood
6. Li Hu & Huang Wenjing (OPEN Architecture) — 李虎 · 黄文菁 (both b. 1973; OPEN Architecture (Beijing))
Graduate: Tsinghua University / Rice University / Princeton University, 1996
Architecture as a public event: museums, schools, halls where form serves as a script for encounter. Material — concrete, stone, light.
UCCA Dune (Beidaihe) — a museum "dug out" of a dune: cave-galleries under a sandy vault.
Chapel of Sound — a shell-like concert hall in a gorge, built as a sound instrument.
A school in Beijing and OPEN's libraries — social projects with open public spaces.
Founders of OPEN (2003), visiting professors at Tsinghua University and CAFA; recipients of international awards for public buildings.
Both studied at Tsinghua University: Li Hu took his bachelor's in 1996 and his master's at Rice University in 1998, Huang Wenjing her bachelor's in 1996 and her master's at Princeton in 1999; they founded OPEN together.
Chapel of Sound — layered concretedesignboomChapel of Sound — cantilevered layers of formwork concretedesignboomChapel of Sound on a rocky slopedesignboomChapel of Sound — an amphitheatre interior with an oculusdesignboomChapel of Sound — tiers along the wallsdesignboomChapel of Sound — the roof terracedesignboomChapel of Sound — the roof slab above the amphitheatredesignboomChapel of Sound seen from a stream in a rocky beddesignboom
7. Zhang Ke — 张轲 (b. 1970; ZAO/standardarchitecture (Beijing))
Graduate: Tsinghua University; Harvard Graduate School of Design, 1996; 1998
Work with the dense Chinese urban fabric: micro-interventions in hutongs, "chamber" museums, material — stone and wood from local buildings.
Micro Yuan'er (Cha'er Hutong) — a children's library and public courtyard in 8 sq. m.
Dongqi Museum and Bierhaus — a rethinking of the stone houses of Tibet and China.
Aga Khan Award 2016 (for the reconstruction of a Beijing hutong); he teaches at Harvard.
Founder of ZAO/standardarchitecture (2001), one of the few who work with repairing the city rather than with new construction.
Master's and bachelor's in architecture from Tsinghua University, master's in architecture from Harvard Graduate School of Design (1998); he founded ZAO/standardarchitecture in Beijing in 2001.
Micro Yuan’er, Beijing — a siheyuan with a new reading roomDivisareMicro Yuan’er — the courtyard and brick stepsDivisareMicro Yuan’er — the children’s library interiorDivisareMicro Yuan’er — a courtyard with the retained hutong roofsDivisare
Museum of Ceramic Art and Shougang — work with industrial heritage and terrain.
Founder of Studio Zhu Pei (2005), dean of the School of Architecture at CAFA; he studied at Tsinghua University and UC Berkeley.
His theme is 自然建筑 ("natural architecture"): form is derived from climate, stone and light rather than from typology.
He received a master's degree in architecture twice — from Tsinghua University and from the University of California, Berkeley; he has taught as a visiting professor at Yale and Syracuse universities.
Imperial Kiln Museum, Jingdezhen — a brick arch above the excavationStudio Zhu PeiImperial Kiln Museum — an atrium with barrel vaultsStudio Zhu PeiShou County Culture and Art Centre — perforated vaultsStudio Zhu PeiImperial Kiln Museum — the vaults at sunsetStudio Zhu Pei
9. Yu Ting — 俞挺 (b. 1972, Shanghai; Wutopia Lab)
Architecture as media and experience: interiors as attractions, bookshops, "fantasies" of metal and light. He works fast, in quantity, and in conversation with mass culture.
Zhongshu Bookstore (Suzhou, 2017) — mirrored tunnel-labyrinths of metal and light.
Xi'an Zhongshu Bookstore and Metal Rainbow — a continuation of the line of bookshops as urban landmarks.
Founder of Wutopia Lab (2013, Shanghai), with more than 100 realised projects; he writes as an architecture critic.
His method is "design as storytelling": a building should give the visitor a plot, not just floor area.
Born in 1972 in Shanghai; he graduated from the architecture faculty of Tsinghua University, holds a doctorate in architecture from Tongji University and is a professor of practice (教授级高工).
Zhongshu Bookstore, Suzhou — yellow perforated metalDivisareZhongshu Bookstore — undulating green screensDivisareZhongshu Bookstore — a rainbow-gradient canopyDivisareZhongshu Bookstore — a glowing thread installationDivisareZhongshu Bookstore — a pink-red undulating ceilingDivisareZhongshu Bookstore — blue glowing threads and a round shelving unitDivisareZhongshu Bookstore — a white hall with transparent display casesDivisare
10. Liu Yichun — 柳亦春 (b. 1969, Shanghai; Atelier Deshaus)
Strict, structural concrete architecture: long galleries, frames, light. One of the principal authors of the Shanghai museum-factory.
Long Museum West Bund (Shanghai) — two blocks: vaulted galleries and a "hall with windows" in a former coal bunker.
Spiral Gallery and Qiushan — work with the diagonal and with the earth in section.
Co-founder of Atelier Deshaus (2001) with Chen Yifeng; he teaches, has won awards for public buildings, and has taken part in the Venice Biennale.
His line is "architecture as section": a building unfolds through a sequence of rooms rather than through a facade.
Born in 1969; master's in architecture from Tongji University (1997), where he also teaches; he founded Atelier Deshaus in 2001 together with Chen Yifeng and Zhuang Shen.
Long Museum, West Bund — a sequence of viewsgoooodLong Museum West Bund — the courtyard under the canopygoooodLong Museum West Bund — concrete “sail” vaultsgoooodWest Bund Art Center — the ramp to Coal-Hopper SquaregoooodLong Museum West Bund — the facade and the gallery beneath the vaultsLong MuseumLong Museum West Bund — the coal hopper and the new winggoooodLong Museum West Bund — the rhythm of arched openings in wintergoooodLong Museum West Bund — the courtyard and the entrancegooood
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