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survey_30 — printmaking and poster art

1. Xu Bing — 徐冰 (Chongqing, 1955)

A printmaker by training: he came to art through woodcut and turned the printed impression into a reflection on language and the sign.

碎玉集 (Shattered Jade), 1977–1983
碎玉集 (Shattered Jade), 1977–1983Official xubing.com site, PRINTMAKING section; image/jpeg (verified).
繁忙的水乡 (Bustling Village on the Water), 1980
繁忙的水乡 (Bustling Village on the Water), 1980Official xubing.com site; image/jpeg.
烂漫山花 (Brilliant Mountain Flowers Magazine), 1975–1977
烂漫山花 (Brilliant Mountain Flowers Magazine), 1975–1977Official xubing.com site; image/jpeg.
天书 (Book from the Sky), 1987–1991
天书 (Book from the Sky), 1987–1991Official xubing.com site; impressions from wooden movable type.
鬼打墙 (Ghosts Pounding the Wall), 1990–1991
鬼打墙 (Ghosts Pounding the Wall), 1990–1991Official xubing.com site; impression from a relief of a section of the Great Wall.
大轮胎 (Big Tire), 1986
大轮胎 (Big Tire), 1986Official xubing.com site; image/jpeg.
重复系列 (Series of Repetitions), 1987–1988
重复系列 (Series of Repetitions), 1987–1988Official xubing.com site; image/png.

2. Fang Lijun — 方力钧 (Handan, Hebei, 1963)

The author of “玩世现实主义” (“cynical realism”), for whom printmaking has remained the starting point: he began with woodcut and continues to make large prints.

3. Wang Lifeng — 王利丰 (Inner Mongolia, 1962)

An artist working with historical printmaking techniques: he combines paper pulp, ink, carving, rubbing impressions and imagery from old book engravings.

4. Yang Feng — 杨锋 (Shengxian, Zhejiang, 1960)

A printmaker and teacher who combines woodcut, lithography and ready-made-material techniques on a single sheet.

Sources: Xi’an Academy of Fine Arts (xafa.edu.cn), profile · culturechina.cn on the 2023 exhibition

5. Wang Jiazeng — 王家增 (Shenyang, Liaoning, 1963)

A printmaker from the old industrial belt: printing and handwork with metal describe the city and factory labour in his work.

6. Gao Rongsheng — 高荣生 (Beijing, 1952–2020)

A master of printmaking and book illustration: the black-and-white woodcut impression as the foundation of the book’s image.

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